{"id":3977,"date":"2022-02-02T15:54:38","date_gmt":"2022-02-02T15:54:38","guid":{"rendered":"http:\/\/capc.com.pt\/site\/?p=3977"},"modified":"2022-02-02T15:55:37","modified_gmt":"2022-02-02T15:55:37","slug":"pharmakon-remedio-veneno-bode-expiatorio","status":"publish","type":"post","link":"http:\/\/capc.com.pt\/site\/index.php\/pharmakon-remedio-veneno-bode-expiatorio\/","title":{"rendered":"Pharmakon: Rem\u00e9dio-veneno-bode-expiat\u00f3rio"},"content":{"rendered":"\n<h4 class=\"wp-block-heading\">de Jorge das Neves<\/h4>\n\n\n\n<p><\/p>\n\n\n\n<figure class=\"wp-block-image\"><img decoding=\"async\" loading=\"lazy\" width=\"724\" height=\"1024\" src=\"http:\/\/capc.com.pt\/site\/wp-content\/uploads\/2022\/02\/cartaz-pharmakon-A3-724x1024.png\" alt=\"\" class=\"wp-image-3978\" srcset=\"http:\/\/capc.com.pt\/site\/wp-content\/uploads\/2022\/02\/cartaz-pharmakon-A3-724x1024.png 724w, http:\/\/capc.com.pt\/site\/wp-content\/uploads\/2022\/02\/cartaz-pharmakon-A3-212x300.png 212w, http:\/\/capc.com.pt\/site\/wp-content\/uploads\/2022\/02\/cartaz-pharmakon-A3-768x1086.png 768w\" sizes=\"(max-width: 724px) 100vw, 724px\" \/><\/figure>\n\n\n\n<p>A exposi\u00e7\u00e3o Pharmakon \u00e9 uma colabora\u00e7\u00e3o da Programa\u00e7\u00e3o Convergente do Anozero&#8217;21-22 com o Col\u00f3quio Coimbra 30-2030, organizado pelo Departamento de Arquitetura da Universidade de Coimbra, o Centro de Estudos Sociais (CES) e o Centro de Estudos Interdisciplinares do S\u00e9culo XX (CEIS20). Pretende fazer uma reflex\u00e3o acerca da arquitetura e do espa\u00e7o urbano da cidade de Coimbra, desde os tempos romanos at\u00e9 \u00e0 contemporaneidade.  Neste contexto, \u00e9 uma exposi\u00e7\u00e3o fotogr\u00e1fica, realizada a convite do Col\u00f3quio Coimbra 30-2030 ao autor, para um confronto com as obras identificadas durante o curso de dois dias.<br><\/p>\n\n\n\n<p>N\u00e3o h\u00e1 rem\u00e9dio inofensivo. O <em>pharmakon <\/em>n\u00e3o pode jamais ser simplesmente ben\u00e9fico. A sua ess\u00eancia ou a virtude n\u00e3o o impedem de ser doloroso. Esta dolorosa frui\u00e7\u00e3o e\u0301 um pharmakon em si. Ela participa ao mesmo tempo do bem e do mal, do agrad\u00e1vel e do desagrad\u00e1vel. Ou, antes, e\u0301 no seu elemento que se desenham as oposi\u00e7\u00f5es. O horr\u00edvel, o grotesco, o c\u00f3mico, o fant\u00e1stico, o belo, o kitsch, o gracioso, o tr\u00e1gico, o repulsivo, o ins\u00edpido, ou mesmo o v\u00f3mito, est\u00e3o em tens\u00e3o, em dois polos distintos sempre em jogo. S\u00e3o poucos os territ\u00f3rios sem duas pontas, uma corda de coisas que aconteceram e acontecem; e, no final, o espasmo de saber se a corda partiu ao n\u00e3o. O esqueleto da pr\u00f3pria morte.<\/p>\n\n\n\n<figure class=\"wp-block-image\"><img decoding=\"async\" loading=\"lazy\" width=\"616\" height=\"380\" src=\"http:\/\/capc.com.pt\/site\/wp-content\/uploads\/2022\/02\/pharmakon-5.jpg\" alt=\"\" class=\"wp-image-3985\" srcset=\"http:\/\/capc.com.pt\/site\/wp-content\/uploads\/2022\/02\/pharmakon-5.jpg 616w, http:\/\/capc.com.pt\/site\/wp-content\/uploads\/2022\/02\/pharmakon-5-300x185.jpg 300w\" sizes=\"(max-width: 616px) 100vw, 616px\" \/><\/figure>\n\n\n\n<figure class=\"wp-block-image\"><img decoding=\"async\" loading=\"lazy\" width=\"1024\" height=\"680\" src=\"http:\/\/capc.com.pt\/site\/wp-content\/uploads\/2022\/02\/pharmakon-2-1024x680.jpg\" alt=\"\" class=\"wp-image-3981\" srcset=\"http:\/\/capc.com.pt\/site\/wp-content\/uploads\/2022\/02\/pharmakon-2-1024x680.jpg 1024w, http:\/\/capc.com.pt\/site\/wp-content\/uploads\/2022\/02\/pharmakon-2-300x199.jpg 300w, http:\/\/capc.com.pt\/site\/wp-content\/uploads\/2022\/02\/pharmakon-2-768x510.jpg 768w\" sizes=\"(max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n\n\n\n<figure class=\"wp-block-image\"><img decoding=\"async\" loading=\"lazy\" width=\"1024\" height=\"680\" src=\"http:\/\/capc.com.pt\/site\/wp-content\/uploads\/2022\/02\/pharmakon-1-1024x680.jpg\" alt=\"\" class=\"wp-image-3980\" srcset=\"http:\/\/capc.com.pt\/site\/wp-content\/uploads\/2022\/02\/pharmakon-1-1024x680.jpg 1024w, http:\/\/capc.com.pt\/site\/wp-content\/uploads\/2022\/02\/pharmakon-1-300x199.jpg 300w, http:\/\/capc.com.pt\/site\/wp-content\/uploads\/2022\/02\/pharmakon-1-768x510.jpg 768w\" sizes=\"(max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n\n\n\n<figure class=\"wp-block-image\"><img decoding=\"async\" loading=\"lazy\" width=\"1024\" height=\"680\" src=\"http:\/\/capc.com.pt\/site\/wp-content\/uploads\/2022\/02\/pharmakon-3-1024x680.jpg\" alt=\"\" class=\"wp-image-3979\" srcset=\"http:\/\/capc.com.pt\/site\/wp-content\/uploads\/2022\/02\/pharmakon-3-1024x680.jpg 1024w, http:\/\/capc.com.pt\/site\/wp-content\/uploads\/2022\/02\/pharmakon-3-300x199.jpg 300w, http:\/\/capc.com.pt\/site\/wp-content\/uploads\/2022\/02\/pharmakon-3-768x510.jpg 768w\" sizes=\"(max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n\n\n\n<figure class=\"wp-block-image\"><img decoding=\"async\" loading=\"lazy\" width=\"1024\" height=\"1024\" src=\"http:\/\/capc.com.pt\/site\/wp-content\/uploads\/2022\/02\/pharmakon-7-1024x1024.jpg\" alt=\"\" class=\"wp-image-3983\" srcset=\"http:\/\/capc.com.pt\/site\/wp-content\/uploads\/2022\/02\/pharmakon-7-1024x1024.jpg 1024w, http:\/\/capc.com.pt\/site\/wp-content\/uploads\/2022\/02\/pharmakon-7-150x150.jpg 150w, http:\/\/capc.com.pt\/site\/wp-content\/uploads\/2022\/02\/pharmakon-7-300x300.jpg 300w, http:\/\/capc.com.pt\/site\/wp-content\/uploads\/2022\/02\/pharmakon-7-768x768.jpg 768w, http:\/\/capc.com.pt\/site\/wp-content\/uploads\/2022\/02\/pharmakon-7.jpg 1440w\" sizes=\"(max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n","protected":false},"excerpt":{"rendered":"<p>de Jorge das Neves A exposi\u00e7\u00e3o Pharmakon \u00e9 uma colabora\u00e7\u00e3o da Programa\u00e7\u00e3o Convergente do Anozero&#8217;21-22 com o Col\u00f3quio Coimbra 30-2030, organizado pelo Departamento de Arquitetura da Universidade de Coimbra, o Centro de Estudos Sociais (CES) e o Centro de Estudos Interdisciplinares do S\u00e9culo XX (CEIS20). Pretende fazer uma reflex\u00e3o acerca da arquitetura e do espa\u00e7o [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":3979,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[2],"tags":[],"_links":{"self":[{"href":"http:\/\/capc.com.pt\/site\/index.php\/wp-json\/wp\/v2\/posts\/3977"}],"collection":[{"href":"http:\/\/capc.com.pt\/site\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/capc.com.pt\/site\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/capc.com.pt\/site\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/capc.com.pt\/site\/index.php\/wp-json\/wp\/v2\/comments?post=3977"}],"version-history":[{"count":2,"href":"http:\/\/capc.com.pt\/site\/index.php\/wp-json\/wp\/v2\/posts\/3977\/revisions"}],"predecessor-version":[{"id":3987,"href":"http:\/\/capc.com.pt\/site\/index.php\/wp-json\/wp\/v2\/posts\/3977\/revisions\/3987"}],"wp:featuredmedia":[{"embeddable":true,"href":"http:\/\/capc.com.pt\/site\/index.php\/wp-json\/wp\/v2\/media\/3979"}],"wp:attachment":[{"href":"http:\/\/capc.com.pt\/site\/index.php\/wp-json\/wp\/v2\/media?parent=3977"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/capc.com.pt\/site\/index.php\/wp-json\/wp\/v2\/categories?post=3977"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/capc.com.pt\/site\/index.php\/wp-json\/wp\/v2\/tags?post=3977"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}