{"id":4912,"date":"2023-11-21T10:22:52","date_gmt":"2023-11-21T10:22:52","guid":{"rendered":"https:\/\/capc.com.pt\/site\/?p=4912"},"modified":"2023-11-21T10:24:13","modified_gmt":"2023-11-21T10:24:13","slug":"staring-contest-jogo-do-serio-3","status":"publish","type":"post","link":"http:\/\/capc.com.pt\/site\/index.php\/staring-contest-jogo-do-serio-3\/","title":{"rendered":"Staring Contest [Jogo do S\u00e9rio] #3"},"content":{"rendered":"\n
\"\"<\/a><\/figure>\n\n\n\n
\"\"<\/a><\/figure>\n\n\n\n

Work of art seeks work of art for Staring Contest \u2014 <\/em>an open call for a Museu occupation.<\/h4>\n\n\n\n


As we learned when we were kids, in a staring contest, one cannot smile, blink or even look away. All those things are subjected to the ultimate penalty: defeat. When two bodies face each other in a Staring Contest<\/em>, the tension between them is too evident. There is no place for compromise.<\/p>\n\n\n\n

In this curatorial project, we ask the artistic community (and beyond) to suggest one or more objects that can be partnered up with the exhibited work.<\/p>\n\n\n\n

In this third moment, from November 18th<\/sup> to January 28th<\/sup>, a partner was sought for Sara Bich\u00e3o’s As facas n\u00e3o mordem (2, batom)<\/em> (2020).<\/p>\n\n\n\n

After the deliberation of the jury, the third Staring Contest<\/em> features a work by the artist Laurindo Marta, in response to the already announced work by Sara Bich\u00e3o. The relationship between \u00d3rg\u00e3o <\/em>and As facas n\u00e3o mordem (2, batom) <\/em>seemed to the jury to be the most appropriate, taking into account the curatorial assumption, despite the quality of the various proposals submitted.<\/p>\n\n\n\n

\n\n\n\n

Let’s play a Staring Contest<\/em>. One body facing another. They must stare at each other. Whoever smiles, looks away or blinks loses. To be still, but not motionless: the play is on as it games on lethargy. A contribution to a symmetry of intentions, broken by the asymmetry on the surface.<\/p>\n\n\n\n

Daniel Madeira<\/p>\n\n\n\n

\n\n\n\n

Sara Bich\u00e3o<\/strong> (Lisbon, 1986). BA (2011) and MA (2008) in Plastic Arts, Faculdade de Belas Artes, Universidade de Lisboa. She has been selected for several artistic residencies, such as: Residency Unlimited (2022, New York); Finisterrae (2022, Ouessant); Cit\u00e9 Internationale des Arts, (2019, Paris); Centro ADM (2016, Mexico City). She has received grants from the Institut fran\u00e7ais du Portugal (2019, 2022), the Calouste Gulbenkian Foundation (2014) and the Luso-American Foundation (2022). Solo shows (selection): Qual \u00e9 a coisa, Qual \u00e9 ela<\/em>, Galeria Filomena Soares (2020); Encontra-me, mato-te<\/em>, Calouste Gulbenkian Foundation (2018); Coastal<\/em>, Barbara Davis Gallery (2017). Group exhibitions (selection): Twin Islands<\/em>, CAC Passerelle\/Carpintarias de S. L\u00e1zaro (2022); Traverser La Nuit<\/em>, MAAT (2022); Clorophilia<\/em>, Porta 33 (2021); Storytelling<\/em>, MAC Lyon (2019). Her work is represented in public collections such as Fondation Antoine de Galbert; CACE (Colec\u00e7\u00e3o de Arte Contempor\u00e2nea do Estado); FLAD (Luso-American Foundation); Funda\u00e7\u00e3o PLMJ; EDP Foundation \u2013 MAAT; Calouste Gulbenkian Foundation; Funda\u00e7\u00e3o Carmona e Costa; MidFirst Bank. <\/p>\n\n\n\n

<\/p>\n\n\n\n

https:\/\/sarabichao.com\/<\/p>\n\n\n\n

<\/p>\n\n\n\n

\n\n\n\n

Laurindo Marta<\/strong><\/p>\n\n\n\n

With an academic degree in Fine Arts – Sculpture by the Escola Superior de Artes e Design at Caldas da Rainha since 2009, the practice that has occupied him ever since,  exhibiting his work individually as well as collectively.<\/p>\n\n\n\n

Recently, he has also been dedicated to the design project – DENTE DE C\u00c3O – trying to create objects, predominantly in the furniture area, characterized by their versatility allowing to change them into multiple configurations, easily adapted to the needs of each user.<\/p>\n\n\n\n

The differentiating element of each piece is searched on the technologies and ingeniousness combined with design, giving them originality and uniqueness.<\/p>\n\n\n\n

https:\/\/cargocollective.com\/dentedecao<\/p>\n\n\n\n

<\/p>\n\n\n\n

<\/p>\n","protected":false},"excerpt":{"rendered":"

Work of art seeks work of art for Staring Contest \u2014 an open call for a Museu occupation. As we learned when we were kids, in a staring contest, one cannot smile, blink or even look away. All those things are subjected to the ultimate penalty: defeat. When two bodies face each other in a […]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[115,59,1],"tags":[],"_links":{"self":[{"href":"http:\/\/capc.com.pt\/site\/index.php\/wp-json\/wp\/v2\/posts\/4912"}],"collection":[{"href":"http:\/\/capc.com.pt\/site\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/capc.com.pt\/site\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/capc.com.pt\/site\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/capc.com.pt\/site\/index.php\/wp-json\/wp\/v2\/comments?post=4912"}],"version-history":[{"count":2,"href":"http:\/\/capc.com.pt\/site\/index.php\/wp-json\/wp\/v2\/posts\/4912\/revisions"}],"predecessor-version":[{"id":4921,"href":"http:\/\/capc.com.pt\/site\/index.php\/wp-json\/wp\/v2\/posts\/4912\/revisions\/4921"}],"wp:attachment":[{"href":"http:\/\/capc.com.pt\/site\/index.php\/wp-json\/wp\/v2\/media?parent=4912"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/capc.com.pt\/site\/index.php\/wp-json\/wp\/v2\/categories?post=4912"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/capc.com.pt\/site\/index.php\/wp-json\/wp\/v2\/tags?post=4912"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}